In 2025 I contributed to ‘The Policewoman’, a feature documentary by Claire Pasvolsky. The film follows the life of Narelle Fraser, a former police officer from Melbourne, Australia.

I supported the 3D and visual development pipeline across the production pipeline, including:

• Creating proxy environments for layout and previs,

• Blocking character performances and camera compositions for review,

• Refining set assets (modeling, retopology, and texturing),

• Researching and developing a hair simulation workflow to produce results that match a live-action reference,

• Setting up final lighting and camera compositions for rendered sequences, and

• Posing characters for key narrative moments.